Update Video: First Look The Assassination of Gianni Versace: American Crime Story

How do you top a phenomenon like last year’s The People v. O.J. Simpson? Opulence, sex and Ricky Martin, naturally. Those are just a few of the elements viewers can expect when The Assassination of Gianni Versace: American Crime Story premieres in early 2018, focusing on the tragic killing of the fashion titan (Martin plays his long-time love Antonio D’Amico). FX’s follow-up to Simpson, featuring the same team of executive producers including Ryan Murphy, Brad Simpson and Nina Jacobson, won’t premiere for months but EW was exclusively on the set in May as the cast shot in Versace’s former home, Casa Casuarina. “It was very moving, sometimes disturbing,” says Penelope Cruz, who plays Gianni’s sister Donatella, of shooting in the house. “We all felt a very powerful energy. It just made me have more passion to tell this story.”

On July 15, 1997, Gianni Versace had left to go on his regular run to Miami Beach’s News Cafe. As he returned home and was opening his front gate, Andrew Cunanan, a sociopath who had become fixated on the designer after reportedly meeting him years earlier, walked up behind Versace and shot him twice in the head. The openly gay Versace was one of the most exciting and provocative designers of the moment, famous for his bold skin-baring designs. “Gianni was a disrupter,” says Edgar Ramírez (Joy), who plays the colorful figure. “He was doing things at the time that no one else was doing. He had this rock-star vision of couture and was the master of combining fashion, celebrity, and fame in a way that had never been combined before.” But his future was snuffed out by Cunanan (Glee’s Darren Criss), an intelligent, handsome, and highly disturbed young man from San Diego. Versace, based on the book Vulgar Favors by Maureen Orth, hopes to show how these two men’s paths crossed and ended so violently. “Here are two men from comparable backgrounds that had all kinds of similarities,” explains writer Tom Rob Smith (London Spy). “They came from parents who were striving but not wealthy. They had the Italian-heritage connection. This feeling of being an outsider. The sexuality connection. Why does one go on to become this incredible creator and great life force? And the other young man ends up destroying so much?”

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